Wepo:Kalari Pattu.jpg
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ZẹẹmẹKalari Pattu.jpg |
English: Kalari Pattu, also known as Kalaripayattu, is one of the oldest martial arts in the world, originating in Kerala, India. Its history dates back thousands of years, with roots in the ancient Indian texts such as the Dhanurveda (science of warfare) and the Vedas. The term "Kalari" refers to the training ground or battlefield, while "Pattu" translates to technique or practice.
Historically, Kalari Pattu was not only a means of combat but also a way of life for warriors in Kerala. It was practiced by various communities, including the Nairs, Thiyyas, and Ezhavas, and was an integral part of their cultural and social fabric. Training in Kalari Pattu involved rigorous physical conditioning, including exercises to enhance flexibility, strength, and agility. The art form encompasses a wide range of techniques, including strikes, kicks, grappling, weaponry, and healing methods. These techniques are classified into different stages of training, with students progressing from basic exercises to advanced combat maneuvers. Kalari practitioners are trained to use their entire body as a weapon, mastering both armed and unarmed combat. Beyond its martial aspects, Kalari Pattu also incorporates elements of spirituality and holistic health. Traditional Kalari schools often include teachings on Ayurveda (traditional Indian medicine), yoga, and meditation, emphasizing the importance of mental discipline and inner balance alongside physical prowess. Over time, Kalari Pattu has evolved from a battlefield skill to a performing art and a means of physical fitness. It has gained international recognition for its effectiveness as a self-defense system and its contribution to the development of other martial arts around the world. Today, Kalari Pattu continues to be practiced in Kerala and has spread to other parts of India and the world. It is preserved through dedicated Kalari schools (known as Kalari koodams) where experienced masters pass on their knowledge to the next generation, ensuring that this ancient martial art form remains alive and vibrant in contemporary times.
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Azán | |||
Asisa | Azọ́n mẹdetiti tọn | ||
Wekantọ | The pixelwriter2309 |
Gbedewema nina
- A vò:
- nado má – nado yi, bo má podọ nado ze azọ́n lọ do jẹhọnmẹ
- nado wludopọ – nado yíi zán po azọ́n devo po
- To nubiọtomẹsi he bọdego ehelẹ glọ:
- Mẹhe tindo e – A dona na sisi he jẹ, bo wleawuna notẹn intẹnẹt tọn dé na gbedewema lọ, bo sọ dohia eyin diọdo dé ko wá aimẹ. A sọgan wamọ to aliho he sọgbe depope mẹ, ṣigba e ni ma taidi dọ gbedewema-namẹtọ lọ nagbe we kavi zan we blo.
- ma dehe di yedelẹ – Na eyin dọ a vọ nude jlado, lẹ́ nude do kavi yi nude dogọ na azọ́nwanu ehe, a dona ze nuyidogọ towe ehelẹ jo gbọn gbedewema dopolọ kavi dehe di yedelẹ gblamẹ taidi vonọtaun lọ.
- A vò:
- nado má – nado yi, bo má podọ nado ze azọ́n lọ do jẹhọnmẹ
- nado wludopọ – nado yíi zán po azọ́n devo po
- To nubiọtomẹsi he bọdego ehelẹ glọ:
- Mẹhe tindo e – A dona na sisi he jẹ, bo wleawuna notẹn intẹnẹt tọn dé na gbedewema lọ, bo sọ dohia eyin diọdo dé ko wá aimẹ. A sọgan wamọ to aliho he sọgbe depope mẹ, ṣigba e ni ma taidi dọ gbedewema-namẹtọ lọ nagbe we kavi zan we blo.
- ma dehe di yedelẹ – Na eyin dọ a vọ nude jlado, lẹ́ nude do kavi yi nude dogọ na azọ́nwanu ehe, a dona ze nuyidogọ towe ehelẹ jo gbọn gbedewema dopolọ kavi dehe di yedelẹ gblamẹ taidi vonọtaun lọ.
Assessment
This media was uploaded as part of Wiki Loves Folklore 2024 international photographic contest. Other languages:
Deutsch ∙ English ∙ español ∙ Igbo ∙ português do Brasil ∙ українська ∙ +/− |
This image has been assessed using the Quality image guidelines and is considered a Quality image.
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Items portrayed in this file
depicts English
creator English
some value
copyright status English
copyrighted English
exposure time English
0.002 second
f-number English
9
focal length English
42.1 millimetre
ISO speed English
400
media type English
image/jpeg
photograph English
source of file English
original creation by uploader English
Commons quality assessment English
Wikimedia Commons quality image English
data size English
2,398,076 byte
height English
3,863 pixel
width English
5,795 pixel
checksum English
a88904e833bfe62e2019c99b7174c3dc6f09c9ce
captured with English
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Azán/Gànmẹ | Hiadonu | Dogbó lẹ | Zinzantọ | Linlẹn | |
---|---|---|---|---|---|
alọnu | 09:39, 20 Whejisun 2024 | 5,795 × 3,863 (2.29 MB) | The pixelwriter2309 | Uploaded own work with UploadWizard |
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Mẹtadata
Wepo ehe bẹ owẹn delẹ hẹn dogọ, vlavo yin yiyidogọ sọn zomọ yẹdide tọn kavi zomọ nudide tọn kavi zomọ nuzedokanji tọn.
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Camera manufacturer | SONY |
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Camera model | ILCE-7M4 |
Author | anmol |
Exposure time | 1/500 sec (0.002) |
F Number | f/9 |
ISO speed rating | 400 |
Date and time of data generation | 17:35, 21 Alunlunsun 2024 |
Lens focal length | 42.1 mm |
Software used | Adobe Imagecore (Linux) |
File change date and time | 08:37, 20 Whejisun 2024 |
Exposure Program | Manual |
Exif version | 2.32 |
Date and time of digitizing | 17:35, 21 Alunlunsun 2024 |
APEX shutter speed | 8.965784 |
APEX aperture | 6.33985 |
APEX brightness | 8.61875 |
APEX exposure bias | 0 |
Maximum land aperture | 2.96875 APEX (f/2.8) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 097 |
DateTimeDigitized subseconds | 097 |
Color space | Uncalibrated |
Focal plane X resolution | 1,966.8377380371 |
Focal plane Y resolution | 1,966.8377380371 |
Focal plane resolution unit | 3 |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 42 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Lens used | 24-70mm F2.8 DG DN | Art 019 |
Date metadata was last modified | 08:37, 20 Whejisun 2024 |
Unique ID of original document | 227D87A34CCEBC261ADB87663A32BE2A |
IIM version | 4 |